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Got it just under the wire! For North America, anyway! Nya-ha! Y'know, back when I was but a wee fanboy, I actually used to wonder if there was any feasible way the JLA could go up against Two-Face. It seems far-fetched to say the least, but I suppose the Joker's done it several times. So imagine my delight when, a couple months ago, I discovered this story existed!  In this two-part JLA story from 1975, our favorite bisected anti-villain teams up with the JLA to save the world from aliens inhabiting statues of Julius Caesar, Ben Franklin, and Napoleon! No, really. ( God, I love the Silver Age )Some of the most interesting superhero stories occur when characters are taken out of their usual circles. Like, Ra's al Ghul being revealed as the big bad guy in a LEGION OF SUPERHEROES story! Or EMPEROR JOKER! It's a simple, engaging, and underused trope of comics. They're the kind of stories that require a bit of imagination and originality on the writer's part, which is probably why they're not done that often. Me, I'd love to see more of characters like Two-Face being used outside of Gotham, pitted against characters who aren't part of the Bat-Family. We already got a taste of the possibilities between this and the TEEN TITANS SPOTLIGHT issue where he faced off against Cyborg. For one thing, I'm hoping that JMS actually does the Two-Face/Hawk&Dove issue of THE BRAVE AND THE BOLD that he talked about back in May 2008. That'd be a great start.
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Cabin John, MD |
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geeky |
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"Acid," Emm Gryner | |
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For the past week, I've been struggling to get something off my chest. I've been trying to compile examples, to formulate arguments, to try and put this long-standing frustration into words. I didn't just want a rant. I wanted to write a goddamned manifesto. I wanted to write a rallying cry to artists and lovers of all art--from the highest of brows to the lowest--and issue a final "fuck you" to a widespread type of idiot who's been pissing me off more and more. Especially within the superhero comic fan communities, oh god, they're the worst. These people seemingly dominate the fandom with their loud-mouth-breathing dismissals and assertions, and are in my opinion one of the worst things about comics as an industry today. And these asshats exist in droves for all forms of storytelling: TV, books (TWILIGHT fans are a perfect example), and most definitely film. Someone called what they do as spreading a "disease of thought," and it's about goddamn time someone called them out on it. Thankfully for my procrastinating self, someone already did a few days ago, saying everything perfectly. Joyless Bastard Devin at CHUD posted an editorial entitled "It's Okay to Think About Movies,". I now shall include Devin's introduction, and the actual core rant after that, in bold. "You're overthinking it."
This is the rallying cry of morons across the internet. Of the mouth breathing folks who cringe at the idea of analysis that goes deeper than 'It rocked!' or 'It sucked!' For some reason they've come out in droves to decry thinking about Avatar, a movie that wears its 'subtext' on its sleeve and all but begs to be deconstructed, but they come out for pretty much every big movie. For these people movies are a narcotic, which I guess is fine - not everybody appreciates film as art the way we do - but they seem to be completely threatened that anyone would bother to take the time to think about (or, heaven forbid, think during) a movie.
Someone has actually summed all of this up much better than I can. I rarely - if ever - do this, but I'm reprinting a comment left on a recent io9 article that I think says just about everything that needs to be said on the subject. Thanks to Roger Ebert's Twitter for pointing me to a blog called Racialicious that initially pulled the comment out of the morass. The article at io9 was Annalee Newitz' absolutely excellent examination of white man's guilt/subconscious racism in Avatar ("When Will White People Stop Making Movies Like AVATAR?"); that kind of article will always get the most 'You're overthinking it' responses because not only is it about a blockbuster, it's about race in a blockbuster. The 'overthinkers' really hate it when people consider race, gender or class when discussing a film, and they'll bend over backwards to ignore any racism or sexism in a movie.
One thing this commenter didn't touch on: analyzing a movie is fun. I really have fun doing it. I like talking with friends about the meanings of things in films, books and other art. It's like a puzzle, and it's intriguing to work a movie over in my mind and ferret out the small bits that - consciously or unconsciously - the author left in there. It's fun to analyze works in the context of the time when they are created as well as in the context of the present moment; art is timeless and can say things about the world we live in even if it was created decades or centuries ago. I know it sounds crazy, but it's actually fun for me to use my brain.
Anyway, here's commenter Moff laying it all down for you:
Of all the varieties of irritating comment out there, the absolute most annoying has to be “Why can’t you just watch the movie for what it is??? Why can’t you just enjoy it? Why do you have to analyze it???”
If you have posted such a comment, or if you are about to post such a comment, here or anywhere else, let me just advise you: Shut up. Shut the fuck up. Shut your goddamn fucking mouth. SHUT. UP.
First of all, when we analyze art, when we look for deeper meaning in it, we are enjoying it for what it is. Because that is one of the things about art, be it highbrow, lowbrow, mainstream, or avant-garde: Some sort of thought went into its making — even if the thought was, “I’m going to do this as thoughtlessly as possible”! — and as a result, some sort of thought can be gotten from its reception. That is why, among other things, artists (including, for instance, James Cameron) really like to talk about their work.
Now, that doesn’t mean you have to think about a work of art. I don’t know anyone who thinks every work they encounter ought to only be enjoyed through conscious, active analysis — or if I do, they’re pretty annoying themselves. And I know many people who prefer not to think about much of what they consume, and with them I have no argument. I also have no argument with people who disagree with another person’s thoughts about a work of art. That should go without saying. Finally, this should also go without saying, but since it apparently doesn’t: Believe me, the person who is annoying you so much by thinking about the art? They have already considered your revolutionary “just enjoy it” strategy, because it is not actually revolutionary at all. It is the default state for most of humanity.
So when you go out of your way to suggest that people should be thinking less — that not using one’s capacity for reason is an admirable position to take, and one that should be actively advocated — you are not saying anything particularly intelligent. And unless you live on a parallel version of Earth where too many people are thinking too deeply and critically about the world around them and what’s going on in their own heads, you’re not helping anything; on the contrary, you’re acting as an advocate for entropy.
And most annoyingly of all, you’re contributing to the fucking conversation yourselves when you make your stupid, stupid comments. You are basically saying, “I think people shouldn’t think so much and share their thoughts, that’s my thought that I have to share.” If you really think people should just enjoy the movie without thinking about it, then why the fuck did you (1) click on the post in the first place, and (2) bother to leave a comment? If it bugs you so much, GO WATCH A GODDAMN FUNNY CAT VIDEO. In the original Racialicious blog entry, this has been proposed as "Moff's Law." I second the motion. Much as I would have loved to have had this called "Hefner's Law," at least this way I'll think of Peter Cushing whenever I want to tear these assholes a new them.
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Cabin John, MD |
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FUCK YEAH |
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"This Must Be The Place," Talking Heads | |
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After years and years of searching and hoping, someone has FINALLY posted the entirety of Derek Jacobi in CYRANO DE BERGERAC (with the translation by Anthony Burgess of A CLOCKWORK ORANGE fame): This just barely surpasses RICHARD II as my favorite Jacobi performance of all time. The balcony scene never fails to bring tears to my eyes once he gets to, "Oh GOD how I love you!" Furthermore, this is possibly my personal favorite ever production of CYRANO DE BERGERAC, above the Ferrer and Depardieu film versions and the lovely Geriant Wynn Davies stage version here in DC a few years back. Anyone seen the Kevin Klein version with Jennifer Garner? I'm hoping to talk Henchgirl into cuddling around the laptop to watch this sometime. She fears it'll be too depressing, but I'm like, "No, no, it's a tragedy, granted, but one that sweeps the soul in grand dramatic swashbuckly flair! CYRANO isn't just depressing! It's magnificently depressing!"
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Cabin John, MD |
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excited |
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"Singing in the Rain," Gene Kelly | |
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( The final photos of this trip )That wraps up the photos of my travels, but the story is not yet finished. I'm working on a big Monologue post, one which may well prove to be the basis of my next show, exploring the real reasons behind this trip, the goals I made, and what happened upon my return to DC. Hope you dig it. I'm still trying to figure out what to call the new show. Henchgirl favors THE ROAD TO NOWHERE, but a part of me is considering THE HEFNER TRAVELOGUES.
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Cabin John, MD |
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tired |
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"This Must Be The Place," Talking Heads | |
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I have returned from Tuscaloosa with a Henchgirl and a stomach flu, to discover that the teaser trailer for the video game sequel to BATMAN: ARKHAM ASYLUM has made the rounds.I couldn't actually play B:AA, so perhaps I missed out on a lot of the game's much-lauded appeal. I was expecting a lot more from it, between the Holy Trinity of Conroy, Hamill, and Sorkin united under the usually-superior pen of Paul Dini, and the rave reviews all-around. Instead, I found the dialogue to be far beyond Dini's usual standard, with the Joker being not that funny and Harley sounded rather more like Grant Morrison's tone-deaf Squeaky Fromme take from that abysmal BATMAN (purple) prose issue. I was holding out hope, that maybe it was all going somewhere really awesome. And then, yeah, not really. Maybe it was more fun to play than to watch. Either way, I felt like the only person to be rather disappointed by the game. That said, the trailer fills me with giddy geek glee. Hamill's laugh STILL makes my heart go aflutter, especially the way it's done there. The hints at the other villains to be included also pleases me gr... oh fuck it, if you watched that, you know exactly why *I'm* excited:  On one hand, I'm nervous about how this game might cock-up the character. On the other...*fingers crossed* get Richard Moll, get Richard Moll, ohpleaseohpleaseoh please get Richard Moll...
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Cabin John, MD |
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sick |
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"Shake Your Rump," Beastie Boys | |

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